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Wednesday, 30 April 2008
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A synopsis of my 40 years as a publisher
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    I really don’t like to dwell too much on the changes from the old letterpress days compared to the present day fast-pace com­puter world of newspapers for a couple of rea­sons. For one, I have a lot of nostalgia for the old days. When you look back at all the challenges of putting out a product using your own capa­bilities like compiling an ad­vertisement with­out any or very few graphics and making it look good so the customer is happy with it, or running the job press for com­mercial printing, you were really accom­plishing something. It was all done by picking out type in a type case or set on the linotype. It took time, but in the end, you felt proud. Cranking up the old Kluge press and getting it to run smoothly without wasting too much paper was in­deed a challenge in itself. There were days when it got a little or­nery, but with a little patience, you got the job done. I had some good advice from an old-time printer, who made the comment that when you finish a job, take a good look at it and say to yourself, “Would I pay for this product if it were mine?” It was good ad­vice I never forgot.
    Now days, you have a quicker way of getting things done.  With fast computers you can do almost anything and of course there’s bigger and faster presses to print your pa­per. I was a little reluctant of the change at first, but I ad­justed pretty quick with the help of others. One thing about offset printing is that photos turn out sharper and you can make them bigger or smaller in a matter of seconds! It sim­ply blows my mind how easy this is done. Yes, it’s called pro­gress and if you want to stay in this business, you have to try and keep up with new trends. And be­lieve me, we’re proba­bly way behind what is already changing.
    I can recall many times burning the midnight oil to get stories ready for my next issue. I tried doing everything my­self; taking photos, covering meetings and sports, gath­ering advertisements and you name it. It didn’t take me long to wise up, so I started delegating some of these du­ties to oth­ers. I hired an advertising salesman and when I hired a new editor, I had him covering meetings and sports. It just got too much for me. I’m paying for it now with some health prob­lems.
    One thing about being in this business is that you never get bored. There is always something different to do, which makes it a little more unique than other types of businesses.
    Conrad enjoyed becoming a boomtown in the early 1970s when the ABM rolled into town. Stores beefed up their in­ventory and just about every home was occupied. Restau­rants, bars and retail merchants were doing very well until the roof fell in. President Nixon shut down the project much to everyone’s dis­may. It was a treat for me at that time when reporters from The Washington Post called on me to guide them out to the sites to take photos of the pro­gress being made. It was an experience I’ll never forget snapping photos of men pouring tons of cement, welding rebar together and a variety of other duties involved in the massive project.
    The government reimbursed those who were left holding the bag with low interest loans through SBA to pay their suppliers off. There were some who extended themselves in other ways, which cost them dearly.
    Due to the anti-ballistic shutdown, Conrad has been given the name of “the unwed mother of world peace.”  I guess I can hon­estly say that the days of the ABM was my biggest highlight of my 40 years as publisher.
    The newspaper business and the people and advertisers have been good to me throughout these years and I could not ask for a better place in which to live, work and raise a fam­ily. It’s getting close to retirement time, and when I do, there will always be a ton of memories to think back on in a busi­ness that was full of challenges, rewards, some heart­aches, but a lot of accomplish­ments which were well-worth the ef­fort.

 
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